Tila Rodríguez Past and her colleague Ned McConnell organized, fund-raised, curated and exhibited their own artwork as part of the final exhibition.
This page documents Rodríguez-Past's work for the project; in order to see the other artists' work please visit the project's official website. In order to read an interview with Rodríguez-Past and McConnell, please visit the project's blog.
For this exhibition Rodríguez Past made two series of sculptures titled Trick Pony and Cosas Hechizas.
'Hechizas' is a Mexican term used to describe handmade improvised objects which imitate industrial items made in the USA and Europe.
Rodríguez Past's sculptures are imitations of such objects - copies of copies. Trick Pony and Cosas Hechizas are reincarnations, but instead of possessing the original objects' western characteristics, they point towards the Mexican method's inventive imperfection.
Cosas Hechizas No. 5 is a video installation made with a white beach ball which hangs from the ceiling.
Cosas Hechizas Nos.3, 7 and 9 are copies of fake Mexican taxidermy heads. While the originals are reportedly made from 'Bone Powder' Rodríguez-Past used paper, linoleum, marbles, blue and synthetic fibers to make her own
version of these trophies. Trick Pony is made with a plastic horse, springs, metal, and sand.
These sculptures were influenced by a series of handmade replicas photographed by the artist at roadside stalls between her hometown (San Cristobal de las Casas) and Mexico city, at a café called 'Paradise 2' open 24 hours a day. The duality of the objects and the name of the café alluded to the lack of authenticity, therefore thematically linked. Figuratively speaking we don't know if 'Paradise 2' is indeed a replica of Paradise 1.
In order to read an article published in A-N Magazine about this exhibition please click here.